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       Paper and multimedial on-line editory  | 
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       from January 07, 1997 Scientific Journal  | 
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       The
      publication of scientific articles in the
      journal PSICOLOGIA DINAMICA has
      costs that vary depending on the number of
      pages and the number of color images.  | 
    
       The journal is open to unpublished scientific and cultural contributions of all the world, but they have to be endowed with a "style" and somewhat "esoteric" than the traditional modes of communication in the scientific language. Therefore, we tend to publish works that stand out for originality of the text, depth of content, strong connections with the experiential world and, finally, adoption of a very personalized discursive form, so as it reveals the "soul" of the author.  | 
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    Our on-line publications are valuable both from the scientific-cultural perspective and from the editorial shape,so realizing a creative harmony between content and form. | |||||||
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       If
      you want to publish your unpublished works   | 
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      NEW
      PUBLISHING ORIENTATIONS     
      b)The Psychology and the Multi-media Culture Evidently,
              the  multi-media culture
              doesn't bases only on the images
              language but also on the written
              word (writing) and on the spoken
              word (sound). Since the
              language is communication and
              since the communication has a deep
              psychological valence, it is evident
              that the psychology in the
              post-modern epoch, also in its
              publishing aspects, has to know how to
              realize the necessary leap forward, in
              comparison to the classical models of
              the scientific publishing, 
              researching more evolved
              technologically forms, also from the
              multi-media viewpoint, for transmitting,
              as much as possible,in a suitable and
              complete way, the whole value of the scientific
              contents.  
      c) Pragmatic publishing aspects  From
              the pragmatic point of view, the
              first essential aspect  is the
              possibility that the presentation (publishing
              form) of the contents is, how much
              possible, nearer to the present-day
              communication models that bases on the hypertextual
              graphic-audio-visual culture [1].   
      d) Aesthetical and worth aspects It
              is evident that in time the paper
              publication will become more and more
              limited to a niche product, reserved to
              the connoisseurs and to the amateurs,
              but exactly for this it will increase
              more and more its precious rarity,
              without then considering the particular
              charm and the elegance of the printed
              paper, also for - the tactile,
              olfactory, visual - sensory
              enjoyment 
              or for the sensual contact of
              the body of the reader/owner with the
              volume in its entirety (total object)
              and in the particular ones (partial
              objects): beginning from the cover to
              continue with the single pages. And
              then the printed journal has all the
              qualities of a "good":
              it can be given and can be received as
              a gift, it can come into view and can
              be consulted without having to resort
              to particular technological equipments
              (computer, etc.), it can be brought
              along or be preserved in a favourite
              place, it offers itself to you with the
              wise availability of a geisha.      Any
              electronic journal (or e-book) will
              ever be able to equal the value of the printed
              publication but, we repeat, it is
              necessary that the publishing form of
              the paper journal sufficiently reflects
              the emergent cultural tastes. Otherwise,
              the electronic  multimedia
              publication can offer to the reader/consulter
              a "numinous" interlacement of
              written word, sounds (also in the form
              of spoken word, even musical) and
              images that somehow give the sensation
              of a approach/ meeting/immersion to/with/in
              the real. The paradox of the
              multimedia publication on electronic
              support is that it, also being an
              ephemeral virtual realization,
              condenses and simulates in its contents
              various characteristics which are
              similar to the real world unlike the
              consistent reality of the publishing
              productions on paper support
              whose references to the realty require
              the exercise of the imagination.  When 
                      one makes reference to the perpetuity
                      (save for the corrosion due
                      to the time that goes by) of
                      the printed publication and
                      to the fixity of its contents -
                      in comparison with the caducity
                      of the on-line publication
                      and the continuous
                      modifiability of its contents -
                      it becomes necessary to observe
                      that the modifiability  of
                      some parts of a printed text
                      realizes two different
                      publications: the original
                      version and the following one;
                      while the on-line electronic
                      publication, even if modified,
                      maintains indeed a paradoxical
                      oneness: the preceding version
                      irremediably disappears in the
                      nothing without leaving traces
                      (save some particular stratagems by someone who could be
                      interested to previously
                      preserve traces and dates of
                      the contents previously
                      appearing on web).   
       
      g)
      Many a project in only one 
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