Paper and multimedial on-line editory |
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from January 07, 1997 Scientific Journal |
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The
publication of scientific articles in the
journal PSICOLOGIA DINAMICA has
costs that vary depending on the number of
pages and the number of color images. |
The journal is open to unpublished scientific and cultural contributions of all the world, but they have to be endowed with a "style" and somewhat "esoteric" than the traditional modes of communication in the scientific language. Therefore, we tend to publish works that stand out for originality of the text, depth of content, strong connections with the experiential world and, finally, adoption of a very personalized discursive form, so as it reveals the "soul" of the author. |
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Our on-line publications are valuable both from the scientific-cultural perspective and from the editorial shape,so realizing a creative harmony between content and form. | |||||||
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If
you want to publish your unpublished works |
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NEW
PUBLISHING ORIENTATIONS
b)The Psychology and the Multi-media Culture Evidently,
the multi-media culture
doesn't bases only on the images
language but also on the written
word (writing) and on the spoken
word (sound). Since the
language is communication and
since the communication has a deep
psychological valence, it is evident
that the psychology in the
post-modern epoch, also in its
publishing aspects, has to know how to
realize the necessary leap forward, in
comparison to the classical models of
the scientific publishing,
researching more evolved
technologically forms, also from the
multi-media viewpoint, for transmitting,
as much as possible,in a suitable and
complete way, the whole value of the scientific
contents.
c) Pragmatic publishing aspects From
the pragmatic point of view, the
first essential aspect is the
possibility that the presentation (publishing
form) of the contents is, how much
possible, nearer to the present-day
communication models that bases on the hypertextual
graphic-audio-visual culture [1].
d) Aesthetical and worth aspects It
is evident that in time the paper
publication will become more and more
limited to a niche product, reserved to
the connoisseurs and to the amateurs,
but exactly for this it will increase
more and more its precious rarity,
without then considering the particular
charm and the elegance of the printed
paper, also for - the tactile,
olfactory, visual - sensory
enjoyment
or for the sensual contact of
the body of the reader/owner with the
volume in its entirety (total object)
and in the particular ones (partial
objects): beginning from the cover to
continue with the single pages. And
then the printed journal has all the
qualities of a "good":
it can be given and can be received as
a gift, it can come into view and can
be consulted without having to resort
to particular technological equipments
(computer, etc.), it can be brought
along or be preserved in a favourite
place, it offers itself to you with the
wise availability of a geisha. Any
electronic journal (or e-book) will
ever be able to equal the value of the printed
publication but, we repeat, it is
necessary that the publishing form of
the paper journal sufficiently reflects
the emergent cultural tastes. Otherwise,
the electronic multimedia
publication can offer to the reader/consulter
a "numinous" interlacement of
written word, sounds (also in the form
of spoken word, even musical) and
images that somehow give the sensation
of a approach/ meeting/immersion to/with/in
the real. The paradox of the
multimedia publication on electronic
support is that it, also being an
ephemeral virtual realization,
condenses and simulates in its contents
various characteristics which are
similar to the real world unlike the
consistent reality of the publishing
productions on paper support
whose references to the realty require
the exercise of the imagination. When
one makes reference to the perpetuity
(save for the corrosion due
to the time that goes by) of
the printed publication and
to the fixity of its contents -
in comparison with the caducity
of the on-line publication
and the continuous
modifiability of its contents -
it becomes necessary to observe
that the modifiability of
some parts of a printed text
realizes two different
publications: the original
version and the following one;
while the on-line electronic
publication, even if modified,
maintains indeed a paradoxical
oneness: the preceding version
irremediably disappears in the
nothing without leaving traces
(save some particular stratagems by someone who could be
interested to previously
preserve traces and dates of
the contents previously
appearing on web).
g)
Many a project in only one
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Short overview
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